patrick.net

This memetic pantheon is continuously evolving; we have caught it at a particularly early stage. ... For now it serves as a shared visual language, one that belongs to everyone and no one. There are no central authorities from whom updates emerge, no steering committees, no focus groups. The memetic pantheon cannot be appropriated by the decision of a board of directors; it cannot be redirected by the demands of political activists; it cannot be subordinated to the imperatives of marketing or public relations; it exists outside of the control of any individual or group. It forms the cultural matrix holding together the otherwise fractious tribes of the dissident right.

The regime has its narrative, which it communicates using the pseudo-mythological tools of public relations firms, marketing agencies, movie studios, news corporations, and academia; and we have our counter-narrative, which is communicated using the neomythological prelinguistic glyphic lyric poetry of memes. Whether on Trump, Brexit, immigration, COVID-19, the Russo-Ukrainian war, global warming, MeToo, gender ideology, feminism, nutrition, or almost any other subject of consequence, we have been using memes to weave stories for years, the warp and weft of which comprise a sort of poetic epic, a metanarrative that we are composing together, without funding, without asking permission, indeed in the face of explicit prohibition, waging insurrectionist mindwar with funny jokes for the joy of it.

Patrick says

What are we looking at here?

Amelia, the savior of Britain:

stereotomy says

Amelia, the savior of Britain:

English flag, though.

Half Irish myself, so genetically not a fan of England.