patrick.net

Instead of halting the American advance and playing nice with Russia at the end of World War II, Patton wanted to stave off future threats. That’s why the American general was poised to have U.S. troops move in and occupy Berlin, Prague, and other parts of Eastern Europe. So why didn’t the allied leadership allow Patton to have his way? And, why was Patton effectively silenced before he could address the American people?

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“Patton is best thought of as the antihero of the Second World War,” Orlando said in an interview. “He could be daring and highly imaginative on the battlefield, but he lacked the tact and diplomatic grace of his contemporaries and this had some real political consequences. But Patton was also the kind of general the allies needed to get the rough work done on the ground. He was outspoken about the conduct of the war and eager to identity the Soviet Union has the next great threat to American democracy. Only a few years after his very suspicious death, Patton’s strategy and vision were vindicated.”

The film opens by reviewing details about the automobile accident that ultimately claimed Patton’s life on a road in Mannheim, Germany on Dec. 9, 1945, seven months after the war ended in Europe. Everyone else involved in the accident walked away, but Patton died before he could go home to America to give his version of events that led to the end of World War II. Orlando steers clear of any conspiracy theories, but does make the point that President Franklin Roosevelt’s administration and America’s top military brass were concerned about what Patton might say about the Soviet threat and how the American public might react to his comments.

“There would have been people in FDR’s administration who would have detested George Patton,” Paul Kengor, a Grove City College political science professor, and author, says in the film. “There was the fact that Patton thought the Soviets were the threat, or at least the future threat post war. The FDR administration has a bunch of people who were in some cases outright Soviet spies, Soviet sympathizers, dupes who were soft on communism.”

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“The qualities that made Patton successful on the battlefield, unflinching nerve, audacity, fearless candor, were the very ones that made him a nuisance when the fighting was over,” the narrator explains. “Off the battlefield Patton is a liability, he lacks diplomacy and his actions by some accounts are insubordinate.”

At the heart of film, is the question of whether in retrospect Patton was right to preempt Soviet troop moves across Eastern Europe.

“The Allied troops were within 200 miles of Berlin and were held back from capturing the capital to let Soviet troops move in,” Orlando says. “Patton felt that this made what became known as the Cold War inevitable. He said it often, and loudly enough that he was relieved of his command and silenced. What I’ve found since the film’s release is that Patton’s behavior, character and performance on the battlefield is looked at not through the lens of history, but is retrofit into the standards of today, forgetting that the 1940s were an ugly, challenging time for the Allies and that Patton was uniquely up to the challenge.”

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